A top-down view of a white bowl containing a brown broth with a stuffed zucchini blossom and a grilled zucchini spear.

The Best Japanese Restaurants in the World (Six We've Eaten At, None of Them in Japan)

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The Best Japanese Restaurants in the World (Six We've Eaten At, None of Them in Japan)

Six Japanese restaurants we've eaten at in Lima, Vancouver, Singapore and Stockholm — and what happens when Japanese technique lands somewhere else.

Six Japanese restaurants we've eaten at in Lima, Vancouver, Singapore and Stockholm — and what happens when Japanese technique lands somewhere else.

Six Japanese restaurants we've eaten at in Lima, Vancouver, Singapore and Stockholm — and what happens when Japanese technique lands somewhere else.

Japanese cooking has travelled further than almost any other kind, and the versions that stuck with us weren’t the pure ones. They were the ones that landed somewhere else and picked something up on the way — a Peruvian red pepper, a sheet of Spanish pork fat, an old Swedish theatre that used to host punk shows.

Peru is the clearest case. Thousands of Japanese migrants came to work the sugarcane fields around the start of the 20th century and stayed — one of them, Alberto Fujimori, became president in the 1990s. When the farm work dried up, many opened restaurants and cooked the local food their own way. They became known as the Nikkei, and the word ended up meaning the food itself.

Here are the six we’d send you to: one in Lima, two in Vancouver, two in Singapore, one in Stockholm. Most are collisions. One is the exact opposite. And three of the six are close to invisible from the street.

A ceramic bowl filled with rice, beans, and avocado topped with a drizzle of crema and a wooden spoon.
A chef's hands prepare sushi on a wooden counter next to plates of sashimi and rolls garnished with greens.
A wooden box filled with orange salmon roe, a yellow scallop, and microgreens sits next to a glass of pink liquid.

Maido, Lima: Japanese technique, Peruvian ingredients, fifteen courses

Maido is Micha Tsumura’s restaurant — he’s Japanese-Peruvian, and grew up in Lima — and as of 2026 it sits at number one on San Pellegrino’s World’s 50 Best Restaurants list. That’s why a lot of people will find this page; it isn’t why we still talk about the meal. From the street it’s a plain boxy building with a small logo on the door, easy to walk past. The name means welcome in Japanese and the staff chant it at you on the way in. Over the dining room hangs a rope sculpture, parts of it painted red, that reads as the Japanese flag or the Peruvian one depending where you sit.

We ate the fifteen-course Nikkei Experience. The standout was a dim sum stuffed with squid and sea snail on potato puree, the dough made with squid ink.

“This was one of the best dishes I have ever had, and the dough — made with squid ink — was especially impressive.

There was also a squid choripan plated like a miniature hot dog, and sea urchin rice with avocado and nut powder. Sake, beer and chicha — a Peruvian fermented drink made from maize — all came before we reached wine at the fourth course, and the waiters cleared plates like ninjas between them. Tsumura came out himself to tell us where else in Lima to eat ceviche, raw fish cured in citrus.

The catch is getting in. Reservations were tough when we went and will only be tougher now; we got a mid-week lunch, which is the sensible thing to aim for.

Two small appetizers topped with roe and herbs sit on a textured grey stone platter garnished with green seaweed.
A hot dog with grilled sausage, melted cheese, and chopped green onions in a bun sits on a wooden plate.

Ancora, Vancouver: the same idea on a different coastline

Ancora Waterfront Dining runs the same Japanese-Peruvian collision as Maido, on the Pacific coast of Canada, with two head chefs — one for each half. Ricardo Valverde, the executive chef, is Peruvian; Yoshihiro Tabo runs the raw section as the sushi expert.

“Both Peru and Japan have a history of fish-based dishes, and when you factor in the abundance of fresh seafood available in British Columbia you have everything you need to create great fusion cuisine.

It’s the brightest room on this page — glass, skylights, white marble — and we ate on the terrace watching boats in the marina across the walkway. Start with the Ancora Glacier: a bed of ice loaded with ceviche, oysters, mussels, crab, prawns, sashimi and escabeche. The one I’d go back for is the lobster risotto, cooked with aji panca, a red pepper you rarely find outside Peru, which makes it smoky and sweet at once. Philip, the bar manager, is Russian and grew up in his family’s Uzbek restaurant, which shows on a cocktail list that also runs to pisco sours and Japanese whiskies. There’s a pet crane named after him.

Our own review of Ancora has no complaint in it, so here’s the honest version of who it suits: people who like to experiment. You leave having eaten a combination you’ve never had. If what you want is a straight sushi meal with nothing borrowed, that’s the next restaurant on this list.

Patrons dine at outdoor tables and chairs in a sunlit patio area with red flowers and green trees under a glass roof.
A white bowl contains a creamy yellow soup with chunks of meat, diced carrots, green herbs, and fresh cilantro leaves.
A piece of seared white fish topped with herbs and peppers sits over black rice and orange sauce on a white plate.
A gold-embossed menu with "AMALFI" and a decorative scroll design sits on a white marble surface.

Masayoshi, Vancouver: the one that borrows nothing

Masayoshi is the counter-argument to this whole page. Vancouver is full of Japanese restaurants, from izakayas — Japanese pubs that take their food seriously — through to sushi bars, and the buzz around the city calls this 24-seat room the best sushi in it; it has picked up a Michelin star since we ate there. Nothing has been adapted for anybody: no chicken teriyaki, no Westernised options, just nigiri, sashimi and a few standard Japanese dishes.

We’d never done an omakase before — the word means “I’ll leave it up to you,” from the Japanese for “to entrust,” so you order nothing and the chef decides. It runs about an hour at the counter and we barely spoke, because watching Masayoshi Baba work is the point; he cleans after every single cut. He’s one of a small number of chefs licensed to serve fugu, the poisonous puffer fish, though there was none on our menu. Ours came to about twelve bites of nigiri — red eye snapper, albacore tuna, smoked fish, blue fin tuna — plus the two signatures: salmon smoked under a dome at your table, and dashi, the basic Japanese stock, boiled in front of you in a reverse-osmosis siphon and served as clear soup.

The catch is planning: the room is small, the omakase is bar seating only, and it needs three days’ notice. Book it when you book the trip, not when you land.

A storefront with "MASYOSHI SUSHI BAR" in white lettering on a glass window and a brick wall under bright daylight.
A chef in a white coat plates a dish of seared fish with carrots and green beans on a blue textured plate.
A chef's hand holds a thin slice of raw fish over two pieces of sashimi served on a wooden board.
A person in a white chef's coat holds a raw, deshelled shrimp in their open palm against a blurred background.

Iggy’s, Singapore: Japanese cooking with a Spanish accent

Iggy’s belongs to Ignatius Chan — Iggy — a sommelier who went into the restaurant business in 1994 and opened this one in 2004 inside the Regents Hotel, moving it to the Hilton when it outgrew the space. It runs independently of the hotel and feels more like a speakeasy than a hotel dining room: small and plain apart from one big internal window onto the kitchen. Most nights Iggy works the floor himself, telling people what to drink.

The influences we could taste were Japanese and Spanish, and the abalone proves it — chanterelles and morels underneath, a veil of Ibérico pork fat draped over the top that melts as it sits, thyme dust over all of it. The other was a course called the vegetable garden: fifteen different vegetables in an Ibérico dashi broth, Spanish ham smoke sitting inside a Japanese stock. Dessert included a cookie that tastes like gado gado, the Balinese salad, thanks to the kaffir lime in it.

The meal ran somewhere between nine and thirteen courses; we lost count, because snacks kept arriving between them. The one thing that didn’t land was the opener, Sakura Ebi — bright pink shrimp on a translucent cracker, stood upright in a bowl of pebbles. It looked spectacular, and how it looked is what we remember about it, not how it tasted.

A bouquet of pink and green flowers in a glass vase sits on a counter in front of a modern hotel reception desk.
A piece of seared salmon topped with microgreens and a drizzle of sauce sits atop a bed of small grains in a white bowl.
A gourmet pastry topped with dark crumble and a green leaf sits on a textured orange plate with flower petals.
Two circular slices of sashimi topped with orange fish roe and green herbs rest on white stones in a wooden tray.

Bincho, Singapore: the whole chicken, over the grill

Bincho is the one we’d never have found on our own. We got there through the Unlisted Collection, a Singapore boutique hotel company that also builds restaurants; their marketer Denise offered to take us out, gave us an address — 78 Moh Guan Terrace, unit 01-19 — and asked one question: are you willing to eat anything? It turns out to be an apartment block, and we circled it several times before spotting a very small vertical sign next to a weathered facade and a row of dumpsters. Behind that questionable door is a sharp modern room that feels more like a bunker than a restaurant. Same address and the same grill today, but the Unlisted Collection has handed it on and the Yujin Izakaya team runs it now.

Bincho is built on the yakitori-ya, Japan’s small traditional grilling stalls, where yakitori — little pieces of meat and vegetables cooked over fire — is the whole menu. Chef Asai Masashi works right in front of you. The salty plates, Yakitori Shio, came first: gizzards, breast, tail, cartilage. Then the sauced ones, Yakitori Tare: heart, liver, neck meat, cock’s comb. Our favourite came after all that — mentai wings stuffed with cod roe, the smoke off the grill against the salt of the roe. Then Japanese sea bream, and grilled lamb neck with teriyaki, garlic and black pepper sauces.

It’s genuinely hard to find and the seating is limited, so book rather than turn up. And you have to want the whole bird — the point of the place is the parts you normally skip, so if gizzards and cock’s comb are a hard no, this isn’t your night out.

Two women sit at a long marble counter in a modern cafe with pendant lights and large windows.
A night view of a narrow street with white buildings, parked scooters, and several air conditioning units on walls.
A spotlight illuminates graffiti on a textured wall next to industrial pipes and a metal door in a dark corridor.
Roasted chicken wings and pieces garnished with green onions on a dark grey rectangular slate platter.

Shibumi, Stockholm: the izakaya that closed and came back

Shibumi took us ten minutes to find while standing more or less on top of it: the sign outside was about six inches long and the door was small. What was behind it is a chic spin on an izakaya — small dishes, shared, arriving in waves — run as a proper restaurant.

The chef is Sayan Isaksson. When we ate there he ran four restaurants, three of them literally upstairs, in a run-down old theatre that had been part of Stockholm’s punk scene. Worth being precise about the credential — Isaksson’s Michelin star was for Esperanto, his most famous restaurant, upstairs, not for Shibumi. He was born in Thailand and adopted by a Swedish couple as a baby, and that double inheritance is the likeliest reason he keeps reaching back to Asia.

We over-ordered on purpose. The eggplant in dashi with black sesame comes cold, the sesame strong without taking over. The corn tempura is the one to get if you only get one thing: crunchy, salty and slightly sweet in the same bite. The okonomiyaki, a savoury pancake loaded with toppings, tasted like the ones we’ve eaten in Japan. The main event is a single enormous lamb rib — one rib — in a sweet and savoury glaze, served alone on a rectangle of black slate.

One thing to know before you look for that door: the theatre is gone. Isaksson’s group went under in 2018 and took Esperanto, Imouto and Shibumi with it. Shibumi reopened in September 2025 at a different address in Stockholm, same chef and same name, under new owners who describe it as a completely new form. Everything above is the first one — treat it as the reason to look the new one up, not a description of it.

It was as much a drinking place as an eating one — the craft cocktails mostly came with a snack of their own — so expect a long loose evening of shared plates rather than a menu you can time.

Two people hold a taco filled with green and yellow ingredients in a flour tortilla against a dark background.
A bamboo steamer basket holds dumplings topped with green herbs and red garnishes next to a ceramic teapot and wooden bowls.
A glass of amber liquid with a frothy head sits on a wooden coaster next to popcorn and a mojito in a copper mug.
Two pulled pork sliders topped with white onions and a drizzle of sauce sit on a marble slab against a dark background.

So which one do you actually book?

If you plan trips around meals it’s Maido, and aim for a mid-week lunch. Ancora for the same idea in daylight with boats outside. Masayoshi if you want Japanese cooking held completely straight, booked three days ahead. Iggy’s if you care about wine. Bincho if you’ll genuinely eat anything. Shibumi if you want a whole evening rather than a meal — bearing in mind it is a new room now, not the one we sat in.

One last thing, obvious only once all six were written up: Maido, Masayoshi and Bincho are all close to invisible from the street — a small logo, a busy road out of the centre, a row of dumpsters. Three of the best Japanese meals we’ve had outside Japan were behind doors we nearly walked past.

A hand places a piece of tuna nigiri sushi onto a black lacquered wooden tray in a brightly lit restaurant setting.
Golden fried chicken pieces topped with green scallions and red chili threads on a dark stone plate.
A glazed roasted short rib topped with green herbs and toasted seeds sits on a gray stone slab next to a Brussels sprout.

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About No Destinations

No Destinations is the travel blog of Chris & Danika Garlotta. In 2014, we quit our jobs, sold everything, rented out our house in San Francisco, and boarded a one-way flight to Europe. That decision turned into four years traveling the world full-time, visiting over 250 destinations and sharing our favorites hotels, restaurants, cruises, and experiences along the way.

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© 2014–2026

No Destinations. All rights reserved. All photos and written content are the property of No Destinations and may not be reproduced, distributed, or used without explicit written permission.

About No Destinations

No Destinations is the travel blog of Chris & Danika Garlotta. In 2014, we quit our jobs, sold everything, rented out our house in San Francisco, and boarded a one-way flight to Europe. That decision turned into four years traveling the world full-time, visiting over 250 destinations and sharing our favorites hotels, restaurants, cruises, and experiences along the way.

Search…

© 2014–2026

No Destinations. All rights reserved. All photos and written content are the property of No Destinations and may not be reproduced, distributed, or used without explicit written permission.

About No Destinations

No Destinations is the travel blog of Chris & Danika Garlotta. In 2014, we quit our jobs, sold everything, rented out our house in San Francisco, and boarded a one-way flight to Europe. That decision turned into four years traveling the world full-time, visiting over 250 destinations and sharing our favorites hotels, restaurants, cruises, and experiences along the way.

Search…

© 2014–2026

No Destinations. All rights reserved. All photos and written content are the property of No Destinations and may not be reproduced, distributed, or used without explicit written permission.